All About Books: Governor General's Award

Among these nine addictive and resonant stories: A teenage boy breaks out of the strict confines of his family, his bid for independence leads him in over his head. He learns about life in short order and there is no turning back. An actor’s penchant for hiding behind a role, on and off stage, is tested to the limits and what he comes to discover finally places him face to face with the truth. With his mother hospitalized for a nervous condition and his father away on long work stints, a boy is sent to another family for his meals. His gradually building relationship with a teenage daughter who has been left handicapped from Polio opens unexpected doors to the world. In the powerful title story, a middle-aged man remeets his former adviser at university, a charismatic and domineering professor dubbed Daddy Lenin. As their tense reunion progresses, secrets from the past painfully revise remembered events and threaten to topple the scaffolding of a marriage.

In The Back of the Turtle, Gabriel returns to Smoke River, the reserve where his mother grew up and to which she returned with Gabriel’s sister. The reserve is deserted after an environmental disaster killed the population, including Gabriel’s family, and the wildlife. Gabriel, a brilliant scientist working for DowSanto, created GreenSweep, and indirectly led to the crisis. Now he has come to see the damage and to kill himself in the sea. But as he prepares to let the water take him, he sees a young girl in the waves. Plunging in, he saves her, and soon is saving others. Who are these people with their long black hair and almond eyes who have fallen from the sky?

Set during the heady days of New Zealand's Gold Rush, The Luminaries is a magnificent novel of love, lust, murder, and greed, in which three unsolved crimes link the fates and fortunes of twelve men. Dickens meets Deadwood in this internationally celebrated phenomenon. In January 1866, young Walter Moody lands in a gold-mining frontier town on the west coast of New Zealand to make his fortune and forever leave behind a family scandal. On arrival, he stumbles across a tense gathering of twelve local men who have met in secret to investigate what links three crimes that occurred on a single day: the town's wealthiest man has vanished. An enormous fortune has been discovered in the home of a luckless drunk. A prostitute has supposedly tried to end her life. But nothing is quite as it seems. As the men share their stories, what emerges is an intricate network of alliances and betrayals, secrets and lies, that is as exquisitely patterned as the night sky. Part mystery, part fantastical love story, and intricately structured around the zodiac and the golden mean (each chapter is half the length of the preceding one), The Luminaries weaves together the changing fates and fortunes of an entire community, one where everyone has something to hide. Rich with character and event, it is a gripping page-turner - and a unique, atmospheric world - in which readers will gladly lose themselves. It confirms Eleanor Catton's reputation as one of the most exciting and innovative novelists writing today.

Winner of Canada's 2012 Governor General's Award for Fiction   In this provocative and starkly beautiful historical novel, a Quaker family moves from Pennsylvania to the Virginia frontier, where slaves are the only available workers and where the family's values and beliefs are sorely tested.   In 1798, Daniel Dickinson, recently widowed and shunned by his fellow Quakers when he marries his young servant girl to help with his five small children, moves his shaken family down the Wilderness Road to the Virginia/Kentucky border. Although determined to hold on to his Quaker ways, and despite his most dearly held belief that slavery is a sin, Daniel becomes the owner of a young boy named Onesimus, setting in motion a twisted chain of events that will lead to tragedy and murder, forever changing his children's lives and driving the book to an unexpected conclusion.   A powerful novel of sacrifice and redemption set in a tiny community on the edge of the frontier, this spellbinding narrative unfolds around Daniel's struggle to maintain his faith; his young wife, Ruth, who must find her own way; and Mary, the eldest child, who is bound to a runaway slave by a terrible secret. Darkly evocative, The Purchase is as hard-edged as the realities of pioneer life. Its memorable characters, drawn with compassion and depth, are compellingly human, with lives that bring light to matters of loyalty and conscience.

Juliet, Saskatchewan, is a blink-of-an-eye kind of town -- the welcome sign announces a population of 1,011 people -- and it’s easy to imagine that nothing happens on its hot and dusty streets. Situated on the edge of the Little Snake sand hills, Juliet and its inhabitants are caught in limbo between a century -- old promise of prosperity and whatever lies ahead. But the heart of the town beats in the rich and overlapping stories of its people: the foundling who now owns the farm his adoptive family left him; the pregnant teenager and her mother, planning a fairytale wedding; a shy couple, well beyond middle age, struggling with the recognition of their feelings for one another; a camel named Antoinette; and the ubiquitous wind and sand that forever shift the landscape. Their stories bring the prairie desert and the town of Juliet to vivid and enduring life.

Lady Duff Gordon is the toast of Victorian London. But when her debilitating tuberculosis means exile, she and her devoted lady's maid, Sally, set sail for Egypt. It is Sally who describes, with a mixture of wonder and trepidation, the odd menage marshalled by the resourceful Omar, which travels down the Nile to a new life in Luxor. When Lady Duff Gordon undoes her stays and takes to native dress, throwing herself into weekly salons; language lessons; excursions to the tombs; Sally too adapts to a new world, affording her heady and heartfelt freedoms never known before. But freedom is a luxury that a maid can ill-afford, and when Sally grasps more than her status entitles her to, she is brutally reminded that she is mistress of nothing.

Montreal during the turbulent mid-1980’s: Chernobyl has set geiger counters thrumming across the globe, HIV/AIDS is cutting a deadly swath through the gay population worldwide, and locally, tempers are flaring over the language laws of Bill 101. Hiding out in a seedy apartment near the Concordia campus is Alex Fratarcangeli (“Don’t worry… I can’t even pronounce it myself”), a somewhat oafish 30-something grad student. Though tender and generous at heart, Alex leads a life devoid of healthy relationships, ashamed in particular of the damage he has done to the women with whom he has been romantically entangled. Plagued by the sensation that his entire life is a fraud, Alex attends daily sessions with a lackluster psychoanalyst in an attempt to shake off the demon of depression (and the cigarette-tinged voice of Peter Gzowski in his ear). Scarred by a distant father and a dangerous relationship with his ex Liz, and consumed by a floundering dissertation linking Darwin’s theory of evolution with the history of human narrative, Alex has come to view love and other human emotions as “evolutionary surplus, haphazard neural responses that nature had latched onto for its own insidious purposes.” Then a convergence of brave souls enter Alex’s life, forcing him to recognize the possibility of meaningful connections. There is his neighbour Esther, whose multiple sclerosis is progressing rapidly, yet who gamely attacks every day she has left. There is the elegant Félix, an older gay man whose own health status is in question yet who remains resolutely generous,and María, returning to fight for human rights in her native El Salvador, knowing she will face certain peril. Along the way Alex meets others whose struggles with their own demons are not so successful, and sometimes tragic. When he receives a letter from Ingrid, the beautiful woman he knew years ago in Sweden, notifying him of the existence of his five year old son. Alex is gripped by a paralytic terror. Whenever Alex’s thoughts grow darkest, he is compelled to recall Desmond, the British professor with dubious credentials whom he met years ago in the Galapagos. Treacherous and despicable, wearing his ignominy like his rumpled jacket, Desmond nonetheless caught Alex in his thrall and led him to some life-altering truths during their weeks exploring Darwin’s islands together. It is only now that Alex can begin to comprehend these unlikely life lessons, and see a glimmer of hope shining through what he had thought was meaninglessness.

This novel begins with every parent's worst nightmare: the disappearance of a child. A father makes a casual error of judgement one evening and leaves his six-year-old son alone for fifteen minutes. When he returns the child is gone and three lives are changed forever. Has the boy been kidnapped? Spirited out of the country? Is he dead? The story that unfolds is told by the novel's narrator, a television host named Roman, who searches for his son through the city and through the underworld of dreams and tries to bring him back. Pursued by an unshakeable conviction that his son is speaking directly to him, Roman begins to enter a haunting relationship with the missing child and his own conscience. In the meantime, his behaviour becomes increasingly erratic and he is rejected by his grieving and angry wife, eventually fired from his job, and shadowed by a persistent policeman who thinks Roman is hiding the child. Written in the clear, elegant prose Gilmour is known for, A Perfect Night to Go to China is a completely absorbing and original work of fiction. It sets up a harrowing premise and doesn't let up until the last surprising page.

Sixteen-year-old Nomi Nickel longs to hang out with Lou Reed and Marianne Faithfull in New York City’s East Village. Instead she’s trapped in East Village, Manitoba, a small town whose population is Mennonite: “the most embarrassing sub-sect of people to belong to if you’re a teenager.” East Village is a town with no train and no bar whose job prospects consist of slaughtering chickens at the Happy Family Farms abattoir or churning butter for tourists at the pioneer village. Ministered with an iron fist by Nomi’s uncle Hans, a.k.a. The Mouth of Darkness, East Village is a town that’s tall on rules and short on fun: no dancing, drinking, rock ’n’ roll, recreational sex, swimming, make-up, jewellery, playing pool, going to cities or staying up past nine o’clock. As the novel begins, Nomi struggles to cope with the back-to-back departures three years earlier of Tash, her beautiful and mouthy sister, and Trudie, her warm and spirited mother. She lives with her father, Ray, a sweet yet hapless schoolteacher whose love is unconditional but whose parenting skills amount to benign neglect. Father and daughter deal with their losses in very different ways. Ray, a committed elder of the church, seeks to create an artificial sense of order by reorganizing the city dump late at night. Nomi, on the other hand, favours chaos as she tries to blunt her pain through “drugs and imagination.” Together they live in a limbo of unanswered questions. Nomi’s first person narrative shifts effortlessly between the present and the past. Within the present, Nomi goes through the motions of finishing high school while flagrantly rebelling against Mennonite tradition. She hangs out on Suicide Hill, hooks up with a boy named Travis, goes on the Pill, wanders around town, skips class and cranks Led Zeppelin. But the past is never far from her mind as she remembers happy times with her mother and sister — as well as the painful events that led them to flee town. Throughout, in a voice both defiant and vulnerable, she offers hilarious and heartbreaking reflections on life, death, family, faith and love. Eventually Nomi’s grief — and a growing sense of hypocrisy — cause her to spiral ever downward to a climax that seems at once startling and inevitable. But even when one more loss is heaped on her piles of losses, Nomi maintains hope and finds the imagination and willingness to envision what lies beyond.

In Rochester, New York, a seventy-five-year-old artist, Austin Fraser, is creating a new series of paintings recalling the details of his life and of the lives of those individuals who have affected him--his peculiar mother, a young Canadian soldier and china painter, a First World War nurse, the well-known American painter Rockwell Kent, and Sara, a waitress from the wilderness mining settlement of Silver Islet, Ontario, who became Austin's model and mistress. Spanning more than seven decades, from the turn of the century to the mid-seventies.

This novel reconstructs an epic journey through Montana into the Canadian plains, by a group of men pursuing their stolen horses. The Englishman's Boy intelligently and creatively depicts an American West where greed and deception are tempered by honor and strength. As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history—the Canadian Wild West as 'imagined' by Hollywood.

This novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning.

David Adams Richards’ Governor General’s Award-winning novel is a powerful tale of resignation and struggle, fierce loyalties and compassion. Set in a small mill town in northern New Brunswick, it draws us into the lives of a community of people who live there, including: Joe Walsh, isolated and strong in the face of a drinking problem; his wife, Rita, willing to believe the best about people; and their teenage daughter Adele, whose nature is rebellious and wise, and whose love for her father wars with her desire for independence. Richards’ unforgettable characters are linked together in conflict, and in articulate love and understanding. Their plight as human beings is one we share.

Alice Munro's territory is the farms and semi-rural towns of south-western Ontario. In these dazzling stories she deals with the self-discovery of adolescence, the joys and pains of love and the despair and guilt of those caught in a narrow existence. And in sensitively exploring the lives of ordinary men and women, she makes us aware of the universal nature of their fears, sorrows and aspirations.